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How much can one fan of OKOM (Our Kind Of Music) accomplish in just a couple of years? Plenty, if it's Rockzilla, aka photographer Michael Johnson. From 2003 to 2005, rockzilla.net was a chronicle of the alt.country scene from a uniquely Texan perspective. But all good things must end, and Rockzilla has retired from the online 'zine scene.

This mirror site was copied from the rockzilla.net site with the express permission of Rockzilla hisself. If you don't believe me, go to the KHYI-Fans email list and ask him! Buddy will back me up, too.



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Wendy Colonna
Red
by Bonny Holder

I recently downloaded a live musical project featuring Austin bluesdude Guy Forsyth and Will Taylor and his Strings Attached ensemble. A few tracks in, Forsyth began to sing the familiar Leonard Cohen song, "Hallelujah."

"What a great version," I thought, and played it several times in a row. And who is that woman singing with him?

She's Wendy Lorraine Colonna, a young (25-ish) singer now transplanted in Austin from her home country in the Lake Charles region of Louisiana. Turns out she has a fine new CD out called Red. I've had it in my CD player for a couple of weeks, and each time I play it I like it more.

I try very hard in reviews not to compare a relatively unknown singer to someone else more experienced and better known. For example, twang goddess Toni Price is often compared to Bonnie Raitt, but in fact Toni does not sound much like Bonnie. It annoys me every time I see that written down. I confess that Wendy Colonna's voice is evocative of the tone in Natalie Merchant's; she has a smoky, almost sultry way of articulating in song. But really, Wendy does not sound like Natalie any more than Toni and Bonnie match up. There's just a pleasant hint of similarity.

Now that's out of the way, I'll try to convey how satisfactory Red is. Colonna swings. You can sense the bayou here, by way of the blues. Her songs are well crafted and often sexy. The arrangements on this album are well played and do not detract from the strength of her lovely voice. She is flexible and willowy, confident and strong.

With the exception of "Coffee Today", which is a thoughtful acoustic song, Colonna and her band rock. The first track, "Dirty Wife," is listener-friendly and warm despite the chilling lyrics. Guy Forsyth shows up to play harmonica on "Wake Me" and "We All Die Alone," and National guitar on "Something New."

All in good times, how I believed
The web would unwind, and kisses sweet
Could steal the disease from the circus of silence
And brown paper dreams could retire in their violence

Wendy Colonna is gifted beyond her years. There is a live track on the CD titled "Judas" in which her voice twists and turns and insinuates like a singer of much more experience. It's awesome to contemplate her musical future, which seems bright as the sun. "I whore around, I whore around," she wails. "Not for sex, for sentiments. I whore around, I whore around, is there really any difference?"

* www.wendycolonna.com

You can contact Bonny Holder at bonny-at-rockzilla.net

 

 
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