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How much can one fan of OKOM (Our Kind Of Music) accomplish in just a couple of years? Plenty, if it's Rockzilla, aka photographer Michael Johnson. From 2003 to 2005, rockzilla.net was a chronicle of the alt.country scene from a uniquely Texan perspective. But all good things must end, and Rockzilla has retired from the online 'zine scene.

This mirror site was copied from the rockzilla.net site with the express permission of Rockzilla hisself. If you don't believe me, go to the KHYI-Fans email list and ask him! Buddy will back me up, too.



 

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Caroline Herring
wellspring
Blue Corn Music BCM0302
by Bonny Holder

It is rare to find a CD as completely satisfying on first, and subsequent, listens as "wellspring" by Caroline Herring. Her smooth, keening alto voice washes over the listener like Tupelo honey, and the spare, tasteful arrangements by Rich Brotherton frame her songs so perfectly that the intelligence of her lyrics is almost subtle.

In other words, there is nothing not to like about this album.

Ms. Herring, according to the bio on her website, is "originally from Canton, Mississippi, Herring came to Austin in 1999 to pursue a Ph.D. in American Studies but found herself equally as drawn to the city's rich musical culture. Encouraged by bluegrass legend Peter Rowan and local luminaries like Ray Wylie Hubbard and Tish Hinojosa, Herring began honing the songwriting and performing talents she'd developed while earning a Master's in Southern Studies at Ole Miss. She recorded a demo, sent it to club owners all over town, and found one taker: Stubb's Bar-B-Q, which offered her a three-week trial happy hour gig. This turned into two years of weekly Thursday shows, and that's where Denby Auble, the founder of Blue Corn Music, eventually discovered the soul-stirring talent he'd been seeking to christen his new label."

Herring was named Best New Artist by the Austin American-Statesman in January, 2002, then took home Best New Artist honors at the Austin Music Awards that March during the SXSW.

At the same time, her day job was also impressive: working for Texas Folklife in Austin, accompanying traditional Tejano musicians to performances and shows.

Marriage took her away from Austin in 2002, following her husband's academic pursuits to Washington D.C., and currently to Atlanta. It seems like all these landscapes and experiences make Herring's music all the richer. She is steeped in tradition, but with the ear of a woman in the 21st century.

The standout song on the CD is "Mortified," where Herring sings:

I should have been ashamed
Should have been mortified
I should have hung my head
Dug me a hole, and climbed inside
Cause I was able
But the crumbs from the table
kept me satisfied

"Do I sound mean? Do I sound rude?" She implores. "Do you think me petty, think me cruel? Was I in love with you or you or you or you?? I tried to be so true, so true."
In "Colorado Woman", she sings, "Tonight I want to be a strong Colorado woman, I don't want to be your Mississippi girl. There are times I need you to hold on, but there are times I got to hold onto myself."

A song called "Mistress" is interesting from a historical view. I don't know Caroline Herring, so I don't know if this was her intent, but the song brings, to my ear, the legend of Emily Morgan, the pretty slave who supposedly tried to seduce Generalissimo Santa Anna in order to buy time for the Tejanos at the Alamo:

You can read all our names in the records
You can deny all the days as they go down
There's a brick-laid pathway calling you to find us
Underneath a golf course in an east Texas town.

Oh, Rachel, won't you lie next to me
Tonight and every night to come
Won't you calm all that's raging inside me
Cause outside's just a battlefield Santa Anna won.

The players on this wonderful album include Herring on vocals and acoustic guitar; Brotherton on guitars, mandola, glass harmonica, dulcimer and vocals; Bryn and Billy Bright; and a host of other Austin luminaries including Kelly Willis singing harmony on "Magnolia", Jeff Plankenhorn on dobro, and Eamon McLoughlin on fiddle and viola.

You want to hear this CD. But don't just take my word for it! Rockzillaworld reviewer Scott Snidow reviewed Caroline Herring's previous CD, twilight, and here's what he said:
(http://rockzilla.net/scott38.html)

"So if the music of Caroline Herring is so exceptional, why haven't you heard of her or caught her music on the local radio stations? Excellent question. One that I don't have the answer for. What I can tell you is that this is good country music, pure, fresh, as earthy as that black sod on the back forty. It flows forth as freely from Herring as the Mississippi rushing to meet the Gulf of Mexico. This is everything that is good and right about the Americana music movement that has been sweeping the nation over the last few years. This is music with content, plain and simple."

Ditto for wellspring.

www.CarolineHerring.com

You can contact Bonny Holder at bonny-at-rockzilla.net

 

 
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