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How much can one fan of OKOM (Our Kind Of Music) accomplish in just a couple of years? Plenty, if it's Rockzilla, aka photographer Michael Johnson. From 2003 to 2005, rockzilla.net was a chronicle of the alt.country scene from a uniquely Texan perspective. But all good things must end, and Rockzilla has retired from the online 'zine scene.

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 Shining a light upon music that matters

 

Mark Jungers & the Whistling Mules
One For the Crow
American Rural Records
By Al Kunz

It was December, 2002 and I was in Houston thawing out and satisfying my Texas-music-Jones over a long weekend. The schedule was full except for a gaping hole on Sunday. Apparently everyone in Houston was taking that day of rest thing seriously. I ended up heading south, spending Sunday at Schroeder Hall at an all day benefit show, listening to a variety of Texas music and bullshitting with one of Rockzillaworld's favorite philosophers, Dallas songwriter Jay Johnson. Among the performances that day was a short set by one of Jay's friends, Mark Jungers.

Driving back to Houston I spun Jungers' newest disc, Standing in Your Way , and was blown away. Mark's themes of common small-town folks struggling to get by reminded me of the songwriting of Fred Eaglesmith, one of my favorites. Based on Jungers' cover of "Benchseat Baby" on the latest Eaglesmith tribute I wasn't the only one who thought Jungers and Eaglesmith were simpatico. As I put together my end-of-year top-ten-favorites list Jungers' was there while Eaglesmith's 2002 release, Falling Stars and Broken Hearts, wasn't.

If I said that One For the Crow, the follow-up to Standing in Your Way, was more of the same it would be a compliment of the highest order. In a way One For the Crow is just that, but it also reflects enough positive evolution in songwriting, performance, and production to best Standing in Your Way. You'll still hear plenty of small-town stories, but these don't overshadow the more universal themes of romance and friendship that even those who've never lived in a small town can relate to.

Of all the songs on One For the Crow "Bucky's Car" is the one that struck a chord with me immediately. I won't relate the details of my experience (even though the statute of limitations has to be up by now). Jungers' has no such qualms, relating all the details of this true story about his high school band getting home from a gig, running on the rims of two flat tires until the gas tank goes dry.

A three mile walk never felt so bad, I'd had all that I could take
I found an old field car at the cement plant and the keys was lying under the seat
With the thought of you rolling through my head, I had to make it back in time
Grand theft never felt so good as the night Bucky's car broke down

If your teenage years were less felonious that Mark's or mine then "Bucky's Car" might not resonate the same for you, but "Just Can't Wait" (about leaving home, only to find out it isn't quite what you expected) "Fool Like Me," dissecting the end of a friendship, or the breakup song, "You Left the First Time," should. The more felonious or those who live their outlaw fantasies vicariously should like "Guns & Dust." Reminiscent of Charlie Robison's "Desperate Times" in its depiction of Charlie, "a small town boy with nothing left to lose," who makes an unorthodox vocational choice when "dealing dope became his trade." Jungers' tune of "guns and dustbowl blues" ends just as ugly as Robison's. Desperate times indeed.

Well the cops were all around with the first shot ringing loud
Charlie took one in the leg, they put him on the ground
But no one saw where Charlie fell and it's probably just as well
Cus it don't really matter now, it's all blown to hell

Of the fourteen tracks on One For the Crow, Jungers wrote all but two, a cover of the Ozark Mountain Daredevils' "Walking Down the Road" and "Break In," another lawbreaking song, this time from the viewpoint of the victim. Written by Jungers' friend Don Phee about an apartment break in, this one has a chorus that's somehow infectious in spite of the less than uplifting lyrics.

Break in, nothing left to play with
Everything we thought we ever needed, gone, gone, gone, gone
Break in, this neighborhood is going down
It's time for movin' on

The rationale for the disc's title was confusing until I noticed a saying on the back of the CD case, "One for the rock / One for the Crow / One to die / One to grow." A quick web search turned up this link www.gardendigest.com/seeds.htm where I discovered that this is an English gardeners saying. I'd say that One For the Crow is really the seed that's going to grow.

www.markjungers.com

Contact Al Kunz at kunz-at-rockzilla.net

 

 
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