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How much can one fan of OKOM (Our Kind Of Music) accomplish in just a couple of years? Plenty, if it's Rockzilla, aka photographer Michael Johnson. From 2003 to 2005, rockzilla.net was a chronicle of the alt.country scene from a uniquely Texan perspective. But all good things must end, and Rockzilla has retired from the online 'zine scene.

This mirror site was copied from the rockzilla.net site with the express permission of Rockzilla hisself. If you don't believe me, go to the KHYI-Fans email list and ask him! Buddy will back me up, too.


 

 Shining a light upon music that matters

 

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Randy Thompson
That's Not Me
Jackpot Records
By Al Kunz

I've always been into music that's real. I like music that's raw rather than overly produced or processed, and I like songs that sound like they're torn from some ones life rather than being overly sentimental or slick. For me, music is about emotion and what we feel in our daily lives. It's not just entertainment.
Randy Thompson

Reading the bio on Randy Thompson's web site I was struck by how well this description of the music that moves him articulates what I look for myself. Thompson explains that his goal is for someone to hear his songs and say, "Man, I know how he feels." For me this is what "shining a light upon music that matters," the Rockzillaworld motto, is talking about. Music that's real. Music intended to connect with real people. Not music designed as non-offensive filler between commercials for the local car dealer and the traffic report.

Each of the nine songs on That's Not Me can almost be viewed as a chapter in a novel. I'll give you the synopsis if you'll allow me a bit of literary license and some reading between the lines. Probably too much reading between the lines.

Steve Young's "The Whole World" (the disc's only cover) is the prelude. Here we establish the relationship between the male protagonist and his lady. For convenience I'll call them Mike and Sandy. Sandy is the center of Mike's life. His top priority is Sandy's happiness as indicated in the song's final line, "the world's alright with me when it's alright with you," possibly at the expense of his own happiness.

Chapter one opens with Mike hitting the road in "Sound of the Rain." ("Drivin' down the highway, feelin' what's been done"). Why he's leaving isn't clear. Maybe he's taking a shot at a country music career in Nashville. The reason doesn't really matter. What's important is that it's something he feels he has to do in spite of whatever objections Sandy may have voiced. He hopes she'll understand, telling her, "if you send me thru this storm alone / I just hope I make it back to you."

Then the predictable happens. Absence doesn't always make the heart grow fonder. First comes denial in the title track followed by "The Lovin' Shown," where Mike tells Sandy how much he needs her. Meanwhile Mike's using his music as a way to cope in "Dance Until Dawn."

Inside a song, I'll take you along
There's no care, if you stay there, inside a song
And everything goes your way, just as long as the music plays
Inside a song

The big showdown comes in "If Love is What You Want" when Mike tells Sandy, "if love is what you want / you'd better hang on tight to me." But he's also considering what he's giving up being so far from home. In addition to losing Sandy he's also severing the close connection with his roots.

Well if you go down, Virginia town
Well I'm gonna tell you son
It's the same red blood, as your own
Down in Virginia mud

Despite his best efforts Sandy ends the relationship and Mike mourns its demise in "If That Wasn't Love."

If what I felt down in my soul
That wasn't really you

And if that was not your heart
Just beatin' right in tune
Hey, if that wasn't love
Maybe I'm nothing' but a fool

I love you enough to let you go
But that sure ain't what I want to do

A novel will typically tie up any loose ends in the final chapter. But the final tune here, "Only One Way," doesn't tie things up all that neatly. Mike appears to be moving on, albeit reluctantly. Yet a glimmering of other possibilities leaves you wondering. Real life doesn't have neat little endings either.

In spite of Thompson's comments quoted earlier there's a danger in assuming lyrics that strike you as real are autobiographical. Johnny Cash didn't really shoot that man in Reno, although he convincingly put himself in that fictional man's mind. But after That's Not Me has had a chance to sink in you might feel like telling Randy Thompson, "I'm sorry man, I've been there, and I know just how you feel." Hopefully the title was intended as a disclaimer of sorts.

www.randythompson.net is one option to order your own copy. Look on the contact page for the address to send sympathetic emails.

Contact Al Kunz at kunz-at-rockzilla.net

 

 
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