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When sharing with friends
and colleagues what project I was currently working on, I got
much of the same reaction from everyone. "Man, that dude
rocks," or "hey, I saw him opening for so and so and
he totally blew me away." One of my colleagues, who was
taking in a Montgomery show last month, even went so far as to
say, "my wife thinks that I can play the guitar well, wait
until she hears him. She won't want to hear me play again."
Everything that everyone had to say was enthusiastic, but it
all focused on Montgomery's talent as a picker, nothing was said
of his talent as a songwriter.
No doubt that Monte Montgomery is one of the foremost pickers
doing the circuit today. In fact, he can do more with just an
acoustic guitar than many of the performers out there can do
with an entire battery of guitars and banks of effects. He is
that good. His talent is that impressive. This can be evidenced
from the reams of critical praise that have been generated about
his performances as well as his two previous CD's. He draws the
predictable comparisons and analogies to the likes of Lindsey
Buckingham, Mark Knopfler, and even Texas' own Stevie Ray Vaughan.
But again, I find little, if any, mention of his talents as a
singer or a songwriter.
Wishing Well, Montgomery's latest offering on Antone's
Records, may well change people's perceptions of this Austin
based singer/songwriter. Present on this CD are the guitar stylings
that listeners have come to expect. His picking talents are amply
showcased in such numbers as "Soldier At His Best,"
"All On Me," and the stirring instrumental number "Bagpipes,"
where Montgomery does in two and half minutes things with a guitar
that many will only dream of ever achieving. In fact, musically
Wishing Well is a catalogue of chord changes, radical
tunings, and funky, fast and thoroughly efficient fingerings.
It is one hell of a rock and roll record.
Peeling back the layers of musical ability and guitar wizardry,
though, one finds on Wishing Well some well crafted, thought
provoking and reflective songs. These are songs taken from Montgomery's
personal experiences. They range from funny to quirky to sensitive
to poignant, and cover a myriad of topics as diverse as love
and war, hope and despair, dreams and inspiration. They serve
not only to chronicle life from the songwriter's perspective,
but also to embrace the human experience. These are songs from
the old school of rock songwriting, when lyrics were full of
meaning and poetry.
Consider, as one small example of the imagery that one can
find on Wishing Well, this excerpt from the track "Erased:"
A fresh coat of winter stretches beneath a postcard sky,
Broken pieces of dawn they fade as the sun sets up the night.
The scene looks like a movie set all perfectly displayed,
I feel like summer at a Thanksgiving parade.
And then from the last verse of the same song comes these
poignant lyrics:
Gray sky collecting clouds for a midnight winter rain.
I'm traveling in familiar circles but the faces don't fit the
names.
I can't seem to get past the point of nothing left to lose,
I feel like a misprint in yesterday's news.
You don't find stirring lyrics like those much these days,
especially from someone that the press has praised solely for
his prowess on the guitar. Montgomery's skills as both a picker
and a songwriter are prominently displayed in the song "Soldier
At His Best." The song starts out with some funky guitar
riffs somewhat reminiscent of the licks that Peter Green was
laying down in the early 70's during his stint with Fleetwood
Mac. This fancy guitar work continues throughout the song supplying
an interesting counterbalance to Montgomery's vocals. The story
of the song is an antiwar message, and rings home the soldier's
plight of being stationed on a battlefield thousands of miles
from home, and an even further distance away from sanity.
Take a message to my mother, tell her I won't be coming
home.
Tell my wife that I love her, and that I'm sorry she's alone.
And I don't know what everybody's fighting about
I'm stuck here in this place and there's no way out,
Unless I take a bullet in the chest.
Soldier at his best.
When I first listened to Wishing Well, there was a
block of three tracks that immediately caught my attention. I
have already made mention of "Soldier At His Best,"
and "Bagpipes." The third song in the trilogy that
immediately impressed me was "Sunset Lullaby." This
song contains some beautifully insightful and introspective lyrics
that could only be penned by a skilled hand. These are combined
with an equally beautiful score.
Wishing Well is a well-constructed CD, containing some
well-written numbers performed by a master musician. It would
not surprise this reviewer if this were the breakthrough album
for Montgomery. It certainly contains some fantastic tracks,
some of which are replete with the types of hooks that are sure
to catch Montgomery a host of new listeners and garner him some
critical praise not just as a guitarist, but as a singer and
songwriter as well. One thing is certainly clear. Montgomery
is certainly poised on the brink of stardom, and with the release
of this latest album it becomes abundantly clear that the fame
he will one day have well certainly be well deserved.
While Montgomery has been called "the best guitar player
you never heard," Wishing Well quite possibly will
establish him as the best songwriter you never heard. If you
are wanting to learn more about this Texas guitar guru, surf
on over to www.montemontgomery.com.
While you are there, pick up your trusty guitar and try to learn
some of Monte's trademark licks with his interactive guitar instructor.
I am still busting my chops trying to learn the licks to the
song "Wishing Well."
Monte Montgomery is currently touring the nation in support
of Wishing Well, and he has already played several Texas
dates. He is scheduled to return to Texas on October 7 as part
of the 7th Annual Stevie Ray Vaughan Remembrance in Dallas. His
next scheduled Texas show after that will be on October 24 at
the Frank Erwin Center in Austin. Do yourself a favor and make
plans now to get out to one of these shows.
You can contact Scott Snidow at: scott-at-rockzilla.net
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