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How much can one fan of OKOM (Our Kind Of Music) accomplish in just a couple of years? Plenty, if it's Rockzilla, aka photographer Michael Johnson. From 2003 to 2005, rockzilla.net was a chronicle of the alt.country scene from a uniquely Texan perspective. But all good things must end, and Rockzilla has retired from the online 'zine scene.

This mirror site was copied from the rockzilla.net site with the express permission of Rockzilla hisself. If you don't believe me, go to the KHYI-Fans email list and ask him! Buddy will back me up, too.


 

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Caveman
Before the World
Independent release
By Scott Snidow

You know the old adage about judging the book?! Yeah. How many times have we all heard this and how often do we actually put its wisdom to use? We all make snap judgements about people, things or situations on a regular basis. For some, this would be daily. As much as I hate to admit it, I, too, fall victim to this particular human frailty from time to time.

Such was the case when this CD arrived one day, knocking at the mailbox and sending the more "respectable" mail to the sanctuary of the porch floor. Ripping open the yellow, foam-padded envelope, I perused the material inside. One CD with garish colored, pseudo-primitive artwork on the cover. In bold, block letters was the word CAVEMAN, and underneath the title of the work "Before the World." I flipped the jewel case over and read some of the titles. "The Call," "Grand Canyon," "Message From the Indians," "Whales," "Flowers," "Birth 1," "Frogjazz," "National Anthem for a Happy Nation." Oh great! Some publicist in some place like New York City is trying to get me to review some neo-hippie, resurrectionist, tree-hugging peace love dove stuff! Look, I lived this stuff back in the 70's, and I really don't need a bunch of "kids" preaching it to me musically today. I decided to glance over the enclosed press kit before sending the whole package to file thirteen. Hmmmimagine this. Praise from a writer who writes for an ezine that instantly concocts visions of rampant drug use. More from writers with publications that have similarly "groovy" titles. Ohand a glowing tribute from a "festival promoter." You know, those guys who have never left the 60's to join the rest of us in the next friggin' century. Come on. This stuff would be right up their alley. So, away to a dusty of corner of the office it was sent, there to remain for a few months while I went about the business of being busy.

What was it your first grade teacher tried time and again to tell you about book judging?

I don't know exactly what it was that made me pick up this CD a few weeks back. Perhaps plain simple old curiosity, perhaps a flight from job related stress. Perhaps it was the fact that my reading led me to the realization that the members of this quartet were thoroughly trained in jazz at The New School University in New York. Who knows? But I did. Pensively I slipped it into the CD player and pressed the play button. What unfolded before me were some really good, solid performances of some really modern, interpretive jazz. It was like watching, or should I say, hearing, a great work of impressionist art unfolding on a musical canvas.

Please, though, don't be misled by my slightly over-enthusiastic analogy. This is not that hoity-toity overbearing style of jazz whose aficionados tell you that listeners have to "develop an ear" to appreciate. Not at all. (Remember that thing about not judging the book, folks.) This is a pure, simple, honest style of the genre that actually rivets the listener's attention without training. It incorporates a myriad of music styles and sounds. There are hints of "World" music. You know, the term employed by pundits for music that contains elements of African, European, and Middle Eastern rhythms. Shades of Indian and Far Eastern sounds are heard as well. But there are also heavy doses of blues, rock, western jazz, and even tinges of new age music. This is all snowballed together into one concise package.

The music itself evokes images in the mind's eye of the listener. After all, isn't that what interpretive jazz should do? And somehow, I couldn't help but feel that there was a message here. The titles are the cues, and the music clearly spells out the rest of the story. This is a music that comes from a philosophy and a spirit that embraces the basest elements of human existence. It tells the story of a mankind perishing in a suburban quagmire. Of nature being over-run by man. But through it all there is a note of hope, a hope that, through a collective awareness, mankind can return the celestial ship that is earth back to an even keel. And while the basic message of Before the World may appeal to some of those neo-hippies, the telling is so much fresher than any I have heard. There is a darkness to this music, and at the same time a sense of humor. There is a wit and a wisdom, but above all this is honest, rock solid music performed by some very gifted musicians.

So let the lesson be learned. You can't judge a book, or for that matter, a CD, by its cover.

www.cavemanlove.com

 

 
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