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I knew a Swede who
used to joke that during the winter when the snows drift so high
the front doors to homes might be blocked for weeks at a time,
Scandinavians stay warm and alive by "rubbing their bodies
together." With the 75- minute instrumental CD Laika
Sex Machine, the Helsinki, Finland rock band Laika &
The Cosmonauts has provided background music to meet the strenuous
demands of this "captive market," assuming that market
prefers to accompany its amorous exertions with surf music and
instrumental rock.
If your idea of a Scandinavian band is Abba, you may be shocked
at what you find when you enter The Cosmonauts' space. Consisting
of 26 tracks gleaned from ten live performances in Finland and
Germany, Laika Sex Machine is an impressive tour de
force cataloging a selection of Cosmonaut originals from
their previous albums (many from their 1997 Warner Brothers release,
Absurdistan) as well as covers of movie and television
themes ("Mission Impossible," "Psycho," "Vertigo,"
"Get Carter") and classic blast-from-the-past instrumental
chart-toppers like "Telstar."
Don't think for one minute that Laika's original material
might not measure up to the more widely known work covered (or,
more accurately, interpreted) on the album. With six albums
under their belts, these are no amateurs or weekend hobbyists.
The Cosmonauts' work compares favorably with the top US practitioners
of the surf guitar art. Their twin guitar, spaghetti-western-toned
surf romp, "Floating," is as good a guitar instrumental
as we will ever hear, and their blistering interpretation of
"Get Carter" is mind-expanding. Lead guitarist Mikko
Lankinen and second guitarist Matti Pinsinki are true devotees
of both the guitar and the surf instrumental style. Masters
of minor chords and whammy bar vibrato, they can find work anywhere
on the planet.
While The Cosmonauts are primarily a guitar band with a supremely
accomplished and fluid rhythm section (Tom Nyman on bass and
drummer Janne Haavisto), the Farfisa organ work of Pinsinki dominates
a number of tracks. One listen to "Tantrum" and it
becomes quite apparent Mr. Pinsinki knows how to make an organ
play with a listener's head.
With 26 instrumental tracks, there may be a tendency to think
this music might all tend to run together, the tracks become
indistinguishable. Have no fear. The Cosmonauts are consummate
musicians and their sound varies from full out, mile-a-minute,
Dick Dale surf style ("Hi & Lo," "Look, No
Head!") to the twangier, spaghetti-western, Ventures sound
("Café Equator," "Lands End") to tracks
that border on jazz ("The Hypno-Wheel," "Syncophant").
When Pinsinki fires up his organ and gets playful, The Cosmonauts
even indulge in a form that might best be described as theme
music for Herman Munster's crowd ("Psyko," "Disconnected").
While their performance façade may be surf-rock, given
their virtuosity and precision timing I suspect The Cosmonauts'
private musical collections contain a fair share of jazz recordings.
Pinsinki's certainly contains some Jimmy Smith.
Laika Sex Machine is not a great European record.
It is simply a great record. Winter's upon us and I've got my
copy. Now all I need is a Scandinavian partner, a 5-gallon can
of oysters, and a freak tropical snowstorm.
* Laika Sex Machine is available from Yep Roc Records, www.yeproc.com Check out Laika
at www.sjoki.uta.fi/~latvis/yhtyeet/Laika_And_The_Cosmonauts
Contact William Michael Smith at: wms-at-rockzilla.net
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