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Talk about dissonance. Knoxville
powerhouse outfit Superdrag threw me for a complete loop by opening
their latest recording with quiet acoustic guitar strums. Well,
have no fear; no song titled "Baby Goes To 11" could
be expected to remain quiet and acoustic for long. With these
high-voltage rockers, it lasts all of 15 seconds (teasers!) before
Don Coffey begins to pound his drum kit like a piledriver operator
and John Davis's unmistakably sweet voice takes us into the territory
that Superdrag has always inhabited, the blissful state of power-pop.
As usual, Davis's lyrics are smart and sticky-sweet, perhaps
even more so now that he's married. Just as the passing of Mr.
Davis's grandfather was thematically present throughout the band's
previous album, his marriage, mate, and maturation permeate the
material here.
She's one in a billion
With lips of vermilion
She created the heavens
Baby goes to eleven
(OK, so maybe he's still in the honeymoon stage )
Since releasing In the Valley of Dying Stars, Superdrag
has added former V-Roys guitarist Mic Harrison. Harrison, who
recorded a rootsy rock record with The Faults before joining
Superdrag, is a solid fit for the band, able to pour on the high-octane
rock or to work effectively on the poppier mid-tempo material.
His guitar work meshes completely with Davis, Coffey and bassist
Sam Powers. I don't know if the acoustic strumming or the snippets
of steel guitar on the country-pop "Safe and Warm"
are a product of Harrison's influence, but I wouldn't be surprised
if they were. The album also sees the emergence of Powers as
a songwriter and vocalist. The additions of Powers and Harrison
have only broadened Superdrag's ability and range.
For every rocker like "I Can't Wait," "The
Staggering Genius," or "Remain Yer Strange," there
are corresponding tracks that are unadulterated sweet '70s style
power-pop, like "Extra-Sensory" or "Way Down Here
With You." Superdrag proves they have mastered their home
studio with the smartly layered harmonies and subtle keyboard
backing tracks. On "Her Melancholy Tune," the band
riffs on George Martin/Beatles studio techniques, resulting in
a warm tribute to a primary influence that sounds like a tossup
between the songwriting and arranging styles of Paul McCartney
and George Harrison. In fact, one of the most notable traits
of Superdrag is the ability to incorporate sounds and impressions
from their seminal influences without being in any way ironic
or musically plagiaristic. Band names like ZZ Top, Beatles, Cheap
Trick, Big Star, even AC-DC pop in and out of one's head during
a trip through Last Call for Vitriol, but there is no
"ah, they stole that" reaction.
One other note of maturation and change marks the album. Knoxville
is a hard-drinking town and its musicians hold up their share
of the load. Along with his marriage, Davis has reportedly quit
drinking. As is Davis's wont, if it's happening in his life it
makes its way into his lyrics. If this is not the case, then
"So Insincere" is... well, so insincere, as Davis expounds
on the realization that drinking himself into oblivion night
after night finally makes no sense and all he wants is for the
woman in his life to drive him home.
Last Call for
Vitriol shows an already self-assured, purposeful band growing
without going through the growing pains so many bands exhibit
after personnel changes. The singing is sweet and bright, the
lyrics intensely personal and current, and the music faultless
whether the band is riffing on an uptempo anthem or hitting a
groove full of melancholy and introspection. Now, when is MTV
going to wake up and smell the Coffey?
* Who says there's no pretty boy bands in Knoxville? Check
it out for yourself at www.superdrag.com
or click on www.rockingvan.com
The logo alone tells you something about the level of coolness
these guys operate on. The band has just finished a new video,
so look out for "The Staggering Genius" if anyone at
MTV still has any brain cells functioning.
Photos courtesy www.superdrag.com.
Contact William Michael Smith at wms-at-rockzilla.net
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